If you’re a writer, you’re like to have experienced what is commonly referred to as “writer’s block.” This is where you cannot move forward with your story and any menial task, such as laundry or vacuuming, suddenly becomes much more appealing to you than actually putting words on the page because of how hard you’re finding it to write.
Your genre is the concept that your audience is going to buy into when they choose to read your book or watch your film. When you market your story, you’re marketing it to the audience that wants that concept, and then you have to follow through on the promise to deliver it. But you have to know what your genre is, what the rules are for that genre, and how to still be original within it.
A Narrative Triplet is where a concept or a theme is launched in the first use, established in the second, and then resolved in the third. It can make a good beginning, middle and end to your story, and makes the experience of reading it or watching it more satisfying for the audience.
Editing is a really important part of your writing, and it’s something that all writers have to learn to do well if they want to be successful. However, it also has a bit of a bad rep. Editing hell. Hopefully in this post, I’ll be able to both teach you how to edit your book or script well, and also how to enjoy the process.
Your characters are one of the most important things about your story, they’re how your audience connects to the story you’re telling, how your plot moves along, and, usually, the point of the story in the first place. To write good characters that your audience will be interested in and want to follow, either by reading or watching, you have to be good at characterisation. How you bring them alive and make them interesting.
The inclusion of satisfying set up and pay off in your story means your audience will find it so much more entertaining. The set up is early story beats that are part of the story in general, but then are pulled upon to be relevant to the climax of your story later. It means your audience feels rewarded for paying attention, and included in the story process because those early set up notes are put in just for their enjoyment.
Using flashbacks is when you have two time lines, your main story line, and then a back story line in the past.
I’ve written before about the difference between the Protaognist and the Antagonist in your story and how you use them, but in some stories you’ll want to use multiple antagonists. I’ll give you some examples of how multiple antagonists can be used in one story, different kinds, and the effect it has, using one of my favourite films in the whole world as an example: Jurassic Park.
When your reader or view is particularly observant and notices the small details in your story, you can reward them by making those small details pay off later in a way that is really satisfying. It takes time and effort, but it’s worth it.
If you’re writing an ensemble cast, rather than just a single protagonist and antagonist, you may need to be able to write with multiple Protagonists, and understand what that means and how to do it well. However, an ensemble cast doesn’t necessarily mean you have multiple protagonists, you may have a large cast revolving around a single Protagonist. They’re only a Protagonist if you’re directly following their story.