Your first act is setting up what they want, the second act is where they start to pursue it, and the third act is where they’ve learned what they need to learn to go about getting it. Your midpoint comes at a point where your story pivots into a new setting or a new scenario.
A three act structure is like a framework for your story, and is how you move your plot along in a controlled way that keeps your story organised and making sense. However, as with most things there is fluidity to it and if a three act structure doesn’t work for your story that’s okay, but if it does work, and it does help you, then this is a good guide on how to implement it and why you might want to.
If you’re a reader who loves certain writers and is heavily inspired by them, how do you prevent those writers influencing your work so heavily you lose your own unique voice.
To explain how and why you use Narrative Triplets in your writing, I am referencing the film Spider-Man Into The Spiderverse, so this post does contain SPOILERS if you’ve not seen that film. I’ll cover key moments in the film and how these Narrative Triplets make the entire plot stronger.
Most of the time when you go into reading a book or watching a film, there will be a person who’s telling you the story, it might be the lead character who’s POV you’re in, or an actual narrator. That’s usually a person who you trust is giving you an accurate account of the events occurring in your story. However, there is such a thing as an “unreliable narrator,” and I’ll be explaining how and why you might use an “unreliable narrator” by referencing the book The Girl On The Train by Paula Hawkins.
Taking your characters from the mundane to the magical, a technique used in most fantasy stories, when you take your character from their normal life in their ordinary world that they’re familiar with, and into a magical world that’s new.
I’m going to explain what the “Inciting Incident” is in your story, where to put it, what it’s used for, and how to write it. I’ll be referencing the film The Matrix as an example of a really well written inciting incident.
If you’re a writer you’ll have heard the terms “protagonist” and “antagonist,” and you might have a baseline familiarity with what they are, but you might not have a complete understanding of the meaning. So to make it clear what they are, I’m going to explain exactly what these words mean, and reference the film Terminator 2 as an example of a Protagonist and an Antagonist.
Narrative Triplets is a story tool that you can use to make you story progress and keep it interesting. When a Narrative Triplet is used it makes the story feel extremely satisfying for the audience.
Viewer Gareth Shelley asked a question about how important a big vocabulary is when you want to write a book, and how you can overcome the problem of a small vocabulary to become a better writer.