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Tag: Aspiring writier

Writing Set Up and Pay Off – DIE HARD edition

The inclusion of satisfying set up and pay off in your story means your audience will find it so much more entertaining. The set up is early story beats that are part of the story in general, but then are pulled upon to be relevant to the climax of your story later. It means your audience feels rewarded for paying attention, and included in the story process because those early set up notes are put in just for their enjoyment.

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How to reward your audience for paying attention to your plot

When your reader or view is particularly observant and notices the small details in your story, you can reward them by making those small details pay off later in a way that is really satisfying. It takes time and effort, but it’s worth it.

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Pantsing Vs Plotting – A Guide to The Writing Techniques

“Pantsing” comes from the expression “fly by the seat of your pants.” If means to be making your story up as you go, and finding out what’s going to happen along the way. “Plotting” is where before you start writing, you work out who you characters are, key events in the story, what page count you’re aiming for etc in advance, and then you follow that plan as you work.

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Writing Description In Your Prose – How much is too much?

Writing effective and interesting prose is something we all have to work on to be good writers. Too much and it’s boring and tedious, too little and it’s too sparse and you don’t feel like you know the characters feelings or the environment they’re in well enough.

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How to write in a three act structure – SPOILERS – Die Hard

A three act structure is like a framework for your story, and is how you move your plot along in a controlled way that keeps your story organised and making sense. However, as with most things there is fluidity to it and if a three act structure doesn’t work for your story that’s okay, but if it does work, and it does help you, then this is a good guide on how to implement it and why you might want to.

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How to write Narrative Triplets – referencing Spider-Man Into The Spiderverse

To explain how and why you use Narrative Triplets in your writing, I am referencing the film Spider-Man Into The Spiderverse, so this post does contain SPOILERS if you’ve not seen that film. I’ll cover key moments in the film and how these Narrative Triplets make the entire plot stronger.

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How to use an “Unreliable Narrator” – writing advice featuring The Girl On The Train

Most of the time when you go into reading a book or watching a film, there will be a person who’s telling you the story, it might be the lead character who’s POV you’re in, or an actual narrator. That’s usually a person who you trust is giving you an accurate account of the events occurring in your story. However, there is such a thing as an “unreliable narrator,” and I’ll be explaining how and why you might use an “unreliable narrator” by referencing the book The Girl On The Train by Paula Hawkins.

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Taking your characters from the mundane to the magical – advice for writing fantasy

Taking your characters from the mundane to the magical, a technique used in most fantasy stories, when you take your character from their normal life in their ordinary world that they’re familiar with, and into a magical world that’s new.

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