Advertisements

Tag: Writer Mum

Writing Enemies To Lovers/Friends

Characters that start out as enemies, and through the course of the story turn into friends or lovers is quite a popular trope, and because it’s popular it’s used a lot. It can work really well, and satisfy your audience in a specific way, or it can just feel predictable and dull, depending on how you use it.

Advertisements
Continue Reading
How To Write Narrative Triplets – Serenity Edition

A Narrative Triplet is where a concept or a theme is launched in the first use, established in the second, and then resolved in the third. It can make a good beginning, middle and end to your story, and makes the experience of reading it or watching it more satisfying for the audience.

Continue Reading
Writing Set Up and Pay Off – DIE HARD edition

The inclusion of satisfying set up and pay off in your story means your audience will find it so much more entertaining. The set up is early story beats that are part of the story in general, but then are pulled upon to be relevant to the climax of your story later. It means your audience feels rewarded for paying attention, and included in the story process because those early set up notes are put in just for their enjoyment.

Continue Reading
Pantsing Vs Plotting – A Guide to The Writing Techniques

“Pantsing” comes from the expression “fly by the seat of your pants.” If means to be making your story up as you go, and finding out what’s going to happen along the way. “Plotting” is where before you start writing, you work out who you characters are, key events in the story, what page count you’re aiming for etc in advance, and then you follow that plan as you work.

Continue Reading
How to write in a three act structure – SPOILERS – Die Hard

A three act structure is like a framework for your story, and is how you move your plot along in a controlled way that keeps your story organised and making sense. However, as with most things there is fluidity to it and if a three act structure doesn’t work for your story that’s okay, but if it does work, and it does help you, then this is a good guide on how to implement it and why you might want to.

Continue Reading
How to write Narrative Triplets – referencing Spider-Man Into The Spiderverse

To explain how and why you use Narrative Triplets in your writing, I am referencing the film Spider-Man Into The Spiderverse, so this post does contain SPOILERS if you’ve not seen that film. I’ll cover key moments in the film and how these Narrative Triplets make the entire plot stronger.

Continue Reading
How to use an “Unreliable Narrator” – writing advice featuring The Girl On The Train

Most of the time when you go into reading a book or watching a film, there will be a person who’s telling you the story, it might be the lead character who’s POV you’re in, or an actual narrator. That’s usually a person who you trust is giving you an accurate account of the events occurring in your story. However, there is such a thing as an “unreliable narrator,” and I’ll be explaining how and why you might use an “unreliable narrator” by referencing the book The Girl On The Train by Paula Hawkins.

Continue Reading
Back to top
%d bloggers like this: