Whilst most stories focus on one protagonist, a protagonist partnership can work really well for others. I’ll explore what a protagonist partnership is, what it …
To make sure your audience is fully invested in seeing if your Protagonist gets what they want, you need to show them why it matters. In this piece, I’ll explain why your audience will love a character who risks it all, and who to write one.
Your Protagonist is the main person in your story. You will spend the majority of the time riding on their shoulders and seeing events through their eyes. In this post I’ll be explaining why your Protagonist shouldn’t start your story as an expert.
The pace of your story is how quickly it moves from one plot point to another, and is controlled by the details between the plot points. A slower paced story will include more thoughts, feelings and descriptions. A faster pace will use fewer.
Dystopian fiction deals with a future where the world has been changed, and not for the better. They are entertaining because they’re high drama, and they’re important because they can teach us something important about our humanity. Dystopia takes away the freedoms of the people, in a variety of different ways, and then explores the consequences.
The problem with henchmen is that if you’re writing a hero who is intended to be morally pure, you can’t have just slaughter the henchmen. I’ll be talking about the different ways of writing henchmen for different styles of story.
The best stories take characters on a journey. They are changed and shaped by the events in your story and come out the other end as different people. This is emotional journey is known as your character’s arc. Usually a Protagonist will arc towards greater strength, learning from their errors, and an Antagonist will arc to greater evil.
The belief that in a Universe so huge, so vast and undiscovered, that some huge power would choose to change and shape the world to tell your story is cosmic narcissism. It’s the over inflated sense of self importance that comes with classic narcissism, but without the need for validation or tendency towards bullying. Of course, a cosmic narcissist could also be a toxic narcissist, but not always.
One of the most important things to consider when you’re writing a story is the relationship between your Protagonist and your audience. If your audience don’t care about what happens to your Protagonist, they won’t care what happens in your story.
When your audience comes to your story, whether reading or watching, they won’t necessarily know what your story is about. They might have a blurb or a synopsis, but often that doesn’t tell them very much. I’m going to talk you through how to tell them quickly, and why it matters.