Your Protagonist is the main person in your story. You will spend the majority of the time riding on their shoulders and seeing events through their eyes. In this post I’ll be explaining why your Protagonist shouldn’t start your story as an expert.
The pace of your story is how quickly it moves from one plot point to another, and is controlled by the details between the plot points. A slower paced story will include more thoughts, feelings and descriptions. A faster pace will use fewer.
To keep your audience caring about your Protagonist, the temptation will be to make them morally pure. I’ll be talking you through moral purity, and alternatives that might work better.
One of the most important ways to write a story that is entertaining is by keeping the stakes high. If your story doesn’t have high stakes, it implies what’s going on doesn’t really matter. If it doesn’t really matter, there’s no real reason to follow that journey and it feels boring. In this post I’ll be explaining how to give your story high stakes by implementing time-locks.
Dystopian fiction deals with a future where the world has been changed, and not for the better. They are entertaining because they’re high drama, and they’re important because they can teach us something important about our humanity. Dystopia takes away the freedoms of the people, in a variety of different ways, and then explores the consequences.
A story prompt is the seed of a story. It’s a sentence or an idea designed to spark your imagination. From that little seed, you can start to grow your idea. You could be given a name, an idea, or a sentence, but from that little idea you grow something new.
2021 can be the year of your story. The year you finally get to write “The End.” And I can help you. The world needs more stories, so let’s make yours one of them.
The Protagonist of your story is the main character. It’s the person you will spend the most time with, the person who’s story you’re following. When you set out to write their story, you need to ask yourself why. Why this character, why now? If you don’t have an answer to those questions, your Protagonist won’t really matter, so your story won’t really matter either.
The problem with henchmen is that if you’re writing a hero who is intended to be morally pure, you can’t have just slaughter the henchmen. I’ll be talking about the different ways of writing henchmen for different styles of story.
The best stories take characters on a journey. They are changed and shaped by the events in your story and come out the other end as different people. This is emotional journey is known as your character’s arc. Usually a Protagonist will arc towards greater strength, learning from their errors, and an Antagonist will arc to greater evil.