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Tag: Writing Dialogue

What Is A Good Prose To Dialogue Ratio?

If your book is too dialogue heavy, it can read like a script. You don’t get to know the environment your characters are in, or connect with their interiority in a way that you can relate to their emotions. However, if your book is too prose heavy, it can make it hard to get to know the characters because so much of how we ground ourselves in our characters is in how they communicate with each other. So, it’s important to strike a good prose to dialogue ratio.

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Writing Natural Dialogue

When you’re writing dialogue in your story, try and make sure it reads like people actually speak, rather than reading like it was written. Dialogue that reads like it’s artificial will make your characters feel artificial, and they’ll be harder to connect with on a human level. However, writing natural dialogue in a story, and writing natural dialogue to emulate real life, are different art forms.

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An Intro To Writing Sorkinian Dialogue

I’m going to be writing about the dialogue style of the writer Aaron Sorkin. If you’re unfamiliar with his work, he’s an American writer known for screenwriting TV shows such as The West Wing and The Newsroom, and films such as The Social Network and A Few Good Men. He also wrote stage adaptations such as To Kill A Mockingbird and A Few Good Men, which went to Broadway. Aaron Sorkin is an exceptional writer in all ways, and worth studying in general, but today I’m going to be focusing on the way he writes dialogue.

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